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                <text>Disobbedite con generosità</text>
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                <text>Il libro traccia i 10 anni dalla nascita di CHEAP: un collettivo, un progetto di arte pubblica, uno sguardo non convenzionale sul contemporaneo come temporaneo. Attraverso l’uso della carta come supporto espressivo, dal 2013 CHEAP esplora il legame profondo tra arte, attivismo e spazio pubblico. &#13;
Da un festival iniziale a un’esperienza più fluida e situazionista, CHEAP è da sempre permeata da energie transfemministe intersezionali e decoloniali. Questo libro racconta il suo percorso artistico e curatoriale, svelando i dietro le quinte di pratiche radicali, esperienze di strada formative, pensieri puntuali e aneddoti che aprono uno spiraglio sulle anime del progetto. &#13;
Scopriremo come l’arte possa trasformare le città in cui viviamo in un autentico luogo di lotta ma anche di cura del bene comune e delle comunità. Un invito a rivalutare il potere dell’arte pubblica nel modellare la nostra società contemporanea.&#13;
 &#13;
«Dalla nostra prima volta in strada sono passati dieci anni e ci fanno sapere che è tempo di bilanci: lo dicono proprio a noi che preferiamo pensarci sbilanciate, mai equidistanti, proprio a noi che rivendichiamo di avere uno sguardo non obiettivo. Con queste premesse, ci scuserete se ne uscirà un racconto partigiano: essere di parte ci sembra l’unica postura sensata.»</text>
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                <text>751.73094541 CHE DIS</text>
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                <text> INV. 446</text>
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                <text>The Furious Era 1979-1987</text>
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                <text>&lt;strong&gt;Taken From 1st 7”&lt;/strong&gt;: 400 Fascists - Tellyson - Alkool &lt;strong&gt;Taken From 2nd 7" “Furious Party”&lt;/strong&gt;: Easy Targets - Furious Party - Frustration I- Frustration II&lt;br /&gt;&lt;strong&gt;Taken From "Permanent Scar" Split W/ IRI&lt;/strong&gt;: Voice Of The Blood / Barbed Wire World - (Right To Be) Italian Nation On Fire - Envy (I'm A Mess) - Foe Or Friend - Life Of Punishment - (We're The) Juvenile Deliquency - Work (Means Death) - 400 Fascists (In Town Tonite) Best Party Ever / No Bore - Alkool (Ev'ry Day's A) Reagan Day - Bendix Power / Secret Hate - Addiction - Camp Darby Blues - Any Sacrifice - Need A Crime Ultracore &lt;br /&gt;&lt;strong&gt;Berlin Session 1982&lt;/strong&gt;: (Outtakes) Need A Crime - No Wordz - Terminal Fun&lt;br /&gt;&lt;strong&gt;Senza Tregua Session 1984&lt;/strong&gt;: Commandos Terminal Fun -Mad Race &lt;br /&gt;&lt;strong&gt;"Into The Void”&lt;/strong&gt;: Feel Like Enemy - Sterilized - Sorry / R.M. -Daymare - Romeo Loves Juliet - Strange Pain Crushed By The Wheels Of Industry - Into The Void &lt;strong&gt;Live At "Il Casalone" - Bologna, 06/20/1987&lt;/strong&gt;: Naymiorenggekkio</text>
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                <text>INV. 118</text>
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                <text>Side A:&#13;
Homeless&#13;
Volounteer&#13;
Fucking choies&#13;
Jail&#13;
No future&#13;
Sucker&#13;
Side B&#13;
Religion&#13;
Don’t mistake&#13;
Delirium&#13;
Your idea&#13;
Another same day&#13;
Constitution&#13;
Slam and scream&#13;
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                <text>INV. 114</text>
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                <text>John Clarke - coniugando la ricostruzione storica a un'acuta osservazione dello stile di vita della classe operaia - in questo libro racconta il gioco del calcio e il problema della violenza negli stadi. Clarke descrive i princìpi di questo sport e i suoi interpreti sociali, suggerendo la tesi della violenza come pretesto per un crescente numero di gruppi di giovani (soprattutto Skinhead, ammiratori delle passioni della classe operaia bianca) intorno a una particolare concezione della mascolinità. Essi riaffermano in questa direzione i valori di una classe e il senso di territorialità in una logica tutta operaia di «presa» simbolica di uno spazio (come lo street corner, o la piazza del quartiere). Nel secondo dopoguerra il gioco del calcio rappresenta per i figli della working class britannica il pretesto per l'esplosione di un sentimento di frustrazione e di un generale malcontento nei confronti della società. Il football hooliganism si afferma così in nome di una volontà di esprimere un rifiuto all'imposizione di un modello-calcio che si sposta verso la professionalizzazione, l'imborghesimento e la spettacolarizzazione. Il volume è arricchito dalla prefazione di Andrea Ferreri e da una sezione sulle culture giovanili, il calcio e l'hooliganismo.</text>
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                <text>Sono molti e diversi i protagonisti che si muovono tra le pagine di "La ragione delle mani". Alcuni sono immaginari, altri reali; alcuni sono personaggi celebri, altri noti agli addetti ai lavori, altri ancora sconosciuti, persone comuni che si possono incrociare nella vita di tutti i giorni. C'è Achille Santini, il geniale promoter di musica jazz, alle prese con Miles Davis e con una paternità inaspettata; c'è una ex maestra di Bologna protagonista di un film documentario sulla musica del pianista Glenn Gould; c'è la follia di un musicista rock italiano, ma anche l'elegante compostezza di Frank Sinatra. E poi Fausto Rossi (l'ex Faust'O), una coppia di vecchi discografici, un algido compositore terrorizzato dalla propria allergia alla vita e infine un videoartista che affronta un estimatore contorto. Clementi racconta innanzitutto dei volti e delle vite. Ne cerca i moventi nascosti, i segni, esplora fallimenti e successi, sempre attento a svelare le conseguenze meno scontate della dialettica tra palco e dietro le quinte, tra luci della ribalta e quotidiano. L'esito sono ritratti, e più spesso dialoghi, caratterizzati da un'intimità che rivela invece di nascondere, mettendo a fuoco paure, ossessioni e slanci.</text>
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T.A.Z.&#13;
Leo Mallet&#13;
Padre tempo&#13;
Boycott!&#13;
Camminando sotto il cielo di notte&#13;
Minus Habens&#13;
Onde sonore mediterranee&#13;
Limbo, Ordo equitum Solis Ain Soph, Devid doll&#13;
Dog Faced Hermans&#13;
Acid Folk Alleanza&#13;
Il parto delle nuvole pesanti&#13;
Negu Gorriak&#13;
Raksha Mancham&#13;
Canti, oscurità, industrialismi microprocessori, rabbie ed amenità&#13;
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Pan&#13;
Grotus&#13;
Judgement night&#13;
Recensioni&#13;
Hatred in my eyes&#13;
Gekkan&#13;
Pillole al veleno&#13;
Saturday night D-saster&#13;
Circolo suq, rock nero ’93&#13;
Lavorare meno, lavorare tutti</text>
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