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                <text>Under meow-meow effect</text>
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                <text>	&#13;
1. Chewing Gum for Your Eyes    02:38&#13;
2. Now!                                             02:28&#13;
3. Dear Bill Gates                            02:59&#13;
4. Delirium of Summer                 02:09&#13;
5. Toffee                                            02:28&#13;
6. The Other Side of the Book     02:14&#13;
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                <text>INV. 164</text>
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                <text>Under the same flag</text>
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                <text>Hardcore punk</text>
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                <text>Tracce&lt;br /&gt;01. Give yourself a chance 02. Under the same flag 03. Voice of dissent 04. Stolen life 05. Reason to believe 06. Fake friend 07. No respect 08. Critical eyes 09. S.O.S.* (Warzone)</text>
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                <text>My Dissent</text>
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                <text>Autoproduzione / My Dissent</text>
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                <text>2001</text>
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                <text>INV: 30</text>
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                <text>Bolotana, Sardegna</text>
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                <text>Psicopedagogia delle sottoculture giovanili</text>
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                <text>Questo contributo propone di mettere in relazione una Filosofia dell’educazione di orientamento lacaniano, cui è dedicata sistematicamente la prima parte del volume, e l’attenzione alle sottoculture giovanili come contesto di espressione artistica e di autoformazione. Nello specifico, la scena underground di Ljubljana negli anni Ottanta del secolo scorso è il terreno dei giovani punk nati nella Repubblica Socialista della Slovenia, ma anche della Scuola Psicoanalitica di Ljubljana (oggi nota attraverso il suo maggior esponente Slavoj Žižek). Underground è il termine chiave che lega i due volti dell’indagine: da un lato, è lo sguardo al terreno dell’inconscio e dunque alle strutture latenti in atto in ogni soggettivazione; dall’altro, è il racconto di un sodalizio – quello tra intellettuali e sottoculture slovene – presentato per mettere in luce un contesto “minore”, ma non per questo meno significativo. Inoltre, il testo ospita per la prima volta in lingua italiana gli esiti teoretici, estetici ed etnografici del sodalizio in questione, presentando i movimenti giovanili come “oggetto sublime” di ricerca e facendo tesoro della ricezione contemporanea del pensiero di Jacques Lacan in prospettiva transdisciplinare.</text>
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                <text>Agagiù, Chiara</text>
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                <text>370.94973 AGA UND</text>
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                <text>INV. 434</text>
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                <text>Tracce&lt;br /&gt;01. Mimetica 02. Sbarre 03. United States of petrol 04. Non siamo come voi (Peggio Punx) 05. Compravendita 06. Guerriglia Urbana 07. Paradiso 08. Pseudocrazia 09. Europa Unita (Scum of society) 10. Impermeabilizzati 11. Società dell’apparenza 12. Toys</text>
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                <text>NBM CD SAR DIS UNI</text>
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                <text>INV. 69</text>
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                <text>Orosei, Siniscola</text>
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                <text>Uscito vivo dagli anni '80 : storie da sopra e sotto il palco</text>
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                <text>Bacciocchi, Antonio</text>
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                <text>NdA press, Rimini</text>
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                <text>2007</text>
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                <text>Introduzione di Luca Frazzi ; con uno scritto di Rita lilith&#13;
Oberti</text>
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                <text>127 p. : ill. ; 21x21 cm</text>
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                <text>780.945 BAC USC</text>
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                <text>INV. 177</text>
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                <text>Italia</text>
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                <text>"Bottiglie rotte, sangue, nasi a pezzi, gente che fuggiva e urlava. Nausea. Basta. Noi volevamo solo suonare, suonare veloce, violento e pesante. La nostra rivoluzione l'avevamo già fatta e se eravamo su un palco a suonare punk era perché di altre rivoluzioni non se ne potevano più fare in altro modo, perché era solo con la musica e con il nostro modo di farla e viverla che potevamo dare un messaggio". Il libro è un viaggio, ironico e disincantato, attraverso considerazioni, aneddoti ed episodi all'interno della scena underground italiana di fine anni '70 inizi anni '80, in una sorta di diario personale che raccoglie pagine e pagine di esperienze, ma soprattutto è l'anima di chi quegli anni li ha vissuti in prima linea. Antonio "Tony Face" Bacciocchi, musicista e tra i primi protagonisti della scena punk e mod, rivive l'atmosfera, le contraddizioni, l'entusiasmo, la spontaneità, l'ingenuità di chi, all'epoca minorenne o quasi, si tuffava in un'esperienza, una cultura, un'energia destinata a cambiare i suoni, i costumi, gli usi delle generazioni a venire. Il tutto senza impeti nostalgici, né voglia di stupire o di insegnare. Un documento fotografico e storico, su una parte del movimento punk e mod italiano da un protagonista di quegli anni.</text>
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                <text>Storie di rap a Napoli e dintorni</text>
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                <text>Dai primi nuclei di b-boys fino al recente successo di Clementino, dalle piazze del centro storico fino ai quattro angoli della periferia. Una breve storia del rap di Partenope, narrata dalla voce dei suoi protagonisti. Le vicende di un movimento artistico, ma anche trent'anni di vita cittadina, ai margini della "storia ufficiale".</text>
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