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                <text>Territorial pissings</text>
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                <text>Il 5 aprile del 1994, con un colpo di fucile, Kurt Cobain si toglie la vita. Ha ventisette anni, come ventisette anni avevano, al momento della morte, Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison. Tre anni prima, con Nevermind, i Nirvana ave ventisette anni avevano, al momento della morte, Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison. Tre anni prima, con Nevermind, i Nirvana avevano cambiato per sempre la storia della musica rock, inanellando una serie di canzoni nelle quali i Beatles e la sensibilità punk trovavano un incredibile e armonico punto d’incontro. Accanto al corpo di Cobain viene ritrovata una lettera d’addio dalla quale emergono con chiarezza la difficoltà nel gestire il successo e l’esposizione mediatica, lo stato di sofferenza fisica che lo avevano indotto a usare l’eroina come antidolorifico, l’incapacità di conciliare una sensibilità fuori dal comune e una fama improvvisa e travolgente. Le interviste raccolte in Territorial Pissings consentono di ricostruire, attraverso le sue stesse parole, la vita, le idee, la concezione musicale di un genio fragile, che ha saputo, quasi contro la sua stessa volontà, farsi portavoce di una generazione lontana dagli antichi sogni rivoluzionari e dalle grandi ideologie ma carica di una creatività e di una rabbia probabilmente irripetibili.</text>
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                <text>782.42166092 COB TER </text>
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                <text>INV. 449 </text>
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                <text>A1	        S.S.    2:16&#13;
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                <text>Vinile, 7", 45 RPM, EP</text>
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                <text>INV. 141</text>
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                <text>LP Doppio Vinile</text>
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                <text>INV. 118</text>
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                <text>Italia</text>
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                <text>&lt;p&gt;Tracce&lt;/p&gt;
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                <text>Giaccone, Stefano</text>
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                <text>La locomotiva</text>
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                <text>TRACCE 01. Il tempo che resta 02. Danse macabre 03. Noi, Chisciotte 04. L'amore al tempo della rivolta 05. Il posto 06. Il ritorno 07. Il dio che ride 08. Servi 09. Una vita normale 10. Dall'imagine tesa 11. Anarcangeli 12. L'animale e lo spettacolo 13. Serenata</text>
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                <text>Quinto volume della collana antologica dedicata a Stefano Tamburini.</text>
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                <text>Graphic design di Daisy Jacuzzi</text>
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                <text>741.594 TAM TUT</text>
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                <text>INV. 190</text>
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                <text>1		Goodbye Charlie! &#13;
2		L'Ultimo Pensiero &#13;
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4		Il Mio Compleanno	&#13;
5		A-Strato	&#13;
6		La Velocità Del Tempo	&#13;
7		Nuda Dentro	&#13;
8		Considerazioni	&#13;
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                <text>Desvelos Records</text>
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                <text>INV. 355</text>
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                <text>Un gusto superiore</text>
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                <text>Il cantautorato progressivo italiano dal beat al bit</text>
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                <text>Perché “un gusto superiore”? Un po’ in omaggio all’omonimo album mistico inciso da Claudio Rocchi e Paolo Tofani all’inizio degli anni ‘80, ma soprattutto per raccontare la controversa figura del cantautore italiano in un modo inconsueto. Non il predicatore da quattro accordi, ma un pioniere capace di rivoluzionare e sprovincializzare la nostra canzone d’autore in modo decisivo. Anche il progressive rock di cui si parla in questo libro non è fatto di virtuosismi e trovate, ma di ambizioni artistiche e del gusto per lo scardinamento delle forme. Lontani dai luoghi comuni che spesso li riguardano, progressive e cantautorato vivono qui una lunga vicenda comune, che va dagli anni delle prime contestazioni alle sperimentazioni del nuovo millennio. Dal beat al bit. Come in tutte le narrazioni corali anche in questa il lettore troverà protagonisti e personaggi minori, ma indimenticabili, di cui si menzionano le rare notizie, con l’augurio che la musica possa parlare da sé. Oltre alle interviste contenute nella sezione dedicata, c’è spazio per alcuni commenti sui propri dischi da parte di artisti come Francesco Bianconi, Colapesce, Alessandro Fiori, Andrea Laszlo De Simone. Le parole del direttore artistico Carlo Pastore sul MIAMI Festival contribuiscono poi a saldare passato e presente, preparando la strada al futuro. Mentre su tutto Claudio Rocchi continua da lassù il suo “volo magico”.</text>
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                <text>Pardo, Piergiorgio</text>
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                <text>Monografia</text>
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                <text>853.92 PAR GUS, </text>
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                <text>INV. 436 </text>
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