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                <text>Studi culturali e scienze sociali</text>
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                <text>Fatti, testi e contesti</text>
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                <text>Nelle scienze sociali si fa spesso riferimento alla “svolta culturale”; ma il modo solitamente sbrigativo con cui si allude al percorso storico che ha portato all’attuale enfasi sulla cultura merita di essere ribaltato secondo una prospettiva capace di riconsegnare il senso e le ricadute di una trasformazione che ha rimesso i fenomeni culturali al centro della conoscenza. Questo libro nasce proprio dall’esigenza di ricostruire storicamente il cambiamento di approccio e di pensiero che ha attraversato i diversi campi delle scienze sociali, determinando un distanziamento dalle epistemologie positiviste a favore dell’interpretazione dei significati dell’agire umano. La svolta culturale non costituisce un paradigma proposto in maniera unitaria, consapevole e programmatica da parte di un gruppo coeso di autori, ma coagula un insieme di tendenze nuove, asistematiche e indipendenti che convergono, in momenti e modi diversi, verso un generale ri-orientamento delle scienze sociali e una maggiore e più estesa considerazione della cultura, dei fenomeni culturali e del loro carattere simbolico. Eventi e fenomeni extra-accademici hanno accompagnato e stimolato questa radicale trasformazione: il movimento per i diritti civili, il femminismo, le contestazioni giovanili e più in generale tutte le rivendicazioni di fine secolo hanno favorito l’emergere della cultura come aspetto fondamentale dell’esistenza soggettiva e collettiva.</text>
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                <text>INV. 427</text>
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                <text>Come si costruisce un soggetto politico? Quali sono i processi e i passaggi costitutivi che lo fanno emergere e sviluppare nel tempo? In questo libro l'autore propone un originale approccio rnarxista allo studio dei processi di soggettivazione politica. Dopo aver rintracciato le origini e le traiettorie dei concetti di subalternità, di antagonismo e di autonomia in alcune delle principali correnti del pensiero marxista contemporaneo, in particolare nell'opera di pensatori di fama mondiale quali Antonio Gramsci, Toni Negri e Cornelius Castoriadis, Modonesi intende dimostrare che, invece di essere usati come formule alternative per definire l'essenza delle soggettività politiche, tali concetti possono essere articolati tra loro, riferendosi rispettivamente a esperienze di subordinazione, insubordinazione e autodeterminazione, espressioni di processi e rapporti di dominio, di lotta e di emancipazione.</text>
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                <text>Nella musica italiana qualcosa sta cambiando. È emersa una nuova scena, povera di mezzi e ricca di determinazione, refrattaria alle categorie e seguita da un pubblico trasversale. I musicisti che vi partecipano hanno attraversato il decennio senza tirare il fiato: intorno a loro crollavano palazzi e simboli, si aprivano crepacci in cui precipitavano certezze acquisite. Hanno visto sciogliersi lavoro e mercati, innalzarsi la soglia della povertà insieme al riscaldamento globale. Attaccato jack agli amplificatori mentre il cosiddetto primo mondo dichiarava una guerra dopo l'altra, suonato a tutto volume senza riuscire a sovrastare i focolai di risate televisive. Guidato per ore in furgone, attraversando la penisola alla faccia di presunte secessioni. E se anche l'Italia sta per crollare, questi artisti non si sono risparmiati. Non hanno aspettato tempi migliori per evitare di sporcarsi le mani. Non si sono trasferiti all'estero. Hanno continuato, con ogni forza residua, a suonare il paese prima che cada.</text>
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                <text>Una serie di saggi che hanno definito e definiscono ancora oggi le pratiche libertarie e liberate di soggetti e movimenti. Dalle comunità dei pirati di Capitano Mission al nomadismo psichico, dalla poesia al sufismo, dall'anarchia alla filosofia radicale. La vita vissuta, la presenza reale, l'avventura, il rischio, l'amore: la felicità rivoluzionaria si può raggiungere anche a partire dalla quotidianità, costruendo e inventando Zone Autonome Temporanee. Un libro - ma soprattutto un'attitudine - che ha ispirato scrittori e artisti di ogni campo e immaginazione umane, festival selvaggi e illegali nei boschi o organizzati come Burning Man, nuove comuni e altre forme abitative alternative, militanti creativi di tutto il mondo dall'inizio degli anni Novanta fino alle recenti rivolte americane. Un po' manifesto, un po' poesia, T.A.Z è un inno alla poetica della liberazione.</text>
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                <text>Bey, Akim</text>
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È stata più volte definita una delle migliori fanzine mai uscite, a livello mondiale: geniale e innovativa nella grafica e nei contenuti, ricca di foto spettacolari e di interviste fatte a un numero considerevole di gruppi hardcore punk, ci fa rivivere e ci racconta, in una chiave sempre ironica e intelligente, tutto il meglio della scena mondiale dei primi anni 80.&#13;
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