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                <text>Silvestro dei Crc Posse a Rock X Gramsci - Odio gli indifferenti</text>
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                <text>musica, concerti</text>
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                <text>Silvestro Ziccardi dei Crc Posse sul palco di Rock X Gramsci nel 1993</text>
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                <text>Associazione culturale Casa natale Antonio Gramsci Ales ODV</text>
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                <text>INV. 87</text>
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                <text>Ales, IT</text>
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                <text>Sistema media mix</text>
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                <text>Cinema e sottoculture giovanili del Giappone contemporaneo</text>
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                <text>Il cinema giapponese ha subito una progressiva trasformazione dal dopoguerra al nuovo millennio, incalzato da un’industria dei contenuti permeata dallo sconfinamento tra i media. La produzione e la fruizione di film dal vivo si intrecciano oggi con quelle di anime, manga, videogiochi, light novel, romanzi per cellulare, serie, merchandising. Il cinema è diventato parte del sistema transmediale giapponese – il cosiddetto media mix – entrando in relazione con gli altri media narrativi e contribuendo a creare un immaginario popolare condiviso, dominato dalla rappresentazione dei giovani e delle loro sottoculture. La saldatura tra i diversi media ha contribuito alla riaffermazione del cinema come prodotto popolare di successo. Da Godzilla ad Attack on Titan, il cinema giapponese è analizzato dalla prospettiva della serialità, dell’intertestualità e dell’intermedialità, con anche l’intento di mettere in evidenza somiglianze e differenze rispetto al panorama mediale occidentale.</text>
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                <text>Locati, Stefano</text>
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                <text>INV. 443</text>
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                <text>Skinhead è lo stile nella strada, quando la ribellione dello stile è rivolta! Gli skins sono tra i maggiori protagonisti nelle sottoculture giovanili a cavallo tra gli anni '60 del Novecento e i giorni nostri.</text>
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                <text>INV. 390</text>
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                <text>Dopo aver scritto il leggendario Spirit of ’69. La bibbia Skinhead, pubblicato da Hellnation Libri, George Marshall torna sul luogo del delitto per dare voce, rigorosamente dall’interno, al culto skinhead così come questo si presentava al mondo tra gli anni Ottanta e gli anni Novanta. Non solo Regno Unito, dunque, ma Europa e Stati Uniti sono il contesto in cui vive la nazione skin raccontata da Marshall con la sua proverbiale sincerità e la nota voglia di fare i conti con i luoghi comuni allarmistici che, fin dai primordi, hanno trasformato lo skinhead nel capro espiatorio perfetto: il folk devil buono per tutte le stagioni nonché il bersaglio preferito dai sepolcri imbiancati di ogni risma. Perché il tempo passa ma, mentre gli skin continuano a calcare con i loro scalponi una scena sempre più ampia, resta valido il detto secondo il quale «esistono tre generi di bugie: le bugie, le dannate bugie e le bugie sugli skinhead».</text>
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                <text>Flavio Frezza (a cura di)</text>
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                <text>Hellnation libri</text>
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                <text>01 Intro &lt;br /&gt;02 Dettagli &lt;br /&gt;03 Furthertomb &lt;br /&gt;04 Dai die &lt;br /&gt;05 L’esoscheletro &lt;br /&gt;06 La mamma killer &lt;br /&gt;07 L’ombra della strega</text>
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                <text>INV. 244 </text>
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