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                <text>Gli anni che proiettano il punk hardcore italiano nel nuovo millennio sono attraversati da una rinnovata spinta propulsiva: la scena si muove con le proprie gambe, continuando a diffondersi anche nelle province più remote dello Stivale. Le difficoltà vengono affrontate con la forza del do it yourself e la consapevolezza di far parte di una grande famiglia allargata a portata - ancora non virtualmente - di mano. Schegge di rumore raccoglie le preziose testimonianze di alcuni protagonisti della realtà accacì degli anni Novanta: è un atlante dei ricordi e delle sensazioni, intriso del sudore, della passione e degli ideali di un decennio mai raccontato prima. Un libro rivolto non solo ai "reduci" ma anche a coloro che vogliono conoscere, senza perdersi in nozionismi enciclopedici, i motivi e le scelte di un movimento vivo e coinvolgente, tra musica, attitudine, speranze e legami indissolubili. Fotografato in una delle sue fasi più palpitanti.</text>
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                <text>Corsetti, Andrea Capò; Miceli, Monica RageApart</text>
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                <text>Dall'antimilitarismo a Radio Alice e ancora più in là</text>
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                <text>Radio Alice - per chi le vuol bene, solo «Alice» - è sgomberata dai Biechi Blu la sera del 12 marzo 1977. C'è chi fugge sopra i tetti, passando accanto a un'antenna da carro armato, ma qualcuno rimane, perché non si abbandona la nave, pardon, la tecnologia, all'orda nemica. Il resto è storia: «Sono entrati... Abbiamo le mani alzate... Stanno strappando il microfono...» A dire quelle frasi è Valerio Minnella, e in questo libro racconta la sua storia. Che comincia ben prima di Alice. Quel 12 marzo, Valerio ne ha già vissute e fatte tante: ha lottato per l'obiezione di coscienza, ha tirato su una tendopoli in piazza Montecitorio, ha bruciato la cartolina di leva, è stato 300 giorni in carcere militare, ha camminato per chilometri con Franco Battiato, ha preso parte alla rivoluzione di Franco Basaglia al manicomio di Trieste... Poi le radio libere, l'arresto e di nuovo il carcere (stavolta civile), altre lotte, intuizioni, trovate, marchingegni. Perché, come si dice a Bologna, ci vuole dello sbuzzo, e Valerio ne ha da vendere. Cos'è lo sbuzzo lo spiega poi lui. Un'autobiografia basata su tre anni di conversazioni con Wu Ming 1 e Filo Sottile, registrate, trascritte, discusse, integrate lavorando d'archivio, mixate a sei mani in una lunga jam-session. Un oggetto narrativo assemblato dialogando non stop, come nel flusso creativo di Alice. Una lettura che sorprende, come un concerto per pianoforte e orchestra di Beethoven che parte mentre la polizia irrompe. Niente seghe, perché è sicuro che vi andrà bene.</text>
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                <text>La critica musicale è dominata da uomini: colti, preparati, divertenti, ma pur sempre uomini. Con questo libro Alessandra Izzo ribalta il cliché e ripercorre la storia della musica attraverso la sensibilità e la visione delle donne. Lo fa tessendo i tanti racconti in prima persona. Professioniste che hanno avuto il coraggio, la forza, la tenacia e una bella dose di sfrontatezza nello sfidare un mondo tutto al maschile.&#13;
Interventi di: Daniela Amenta, Eleonora Bagarotti, Clelia Bendandi, Patrizia De Rossi, Paola Gallo, Roberta Maiorano, Raffaella Mezzanzanica, Cristiana Paolini, Valeria Rusconi, Alessandra Sacchetta, Betty Senatore, Alba Solaro, Barbara Tommasino, Marinella Venegoni, Barbara Volpi.</text>
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                <text> INV. 338</text>
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                <text>C'è stato un momento, all'inizio degli anni Ottanta, in cui l'Italia musicale si è trovata magicamente in sintonia con quanto stava avvenendo nel resto del mondo. Da un lato l'estremizzazione del punk rock originario stava producendo la mutazione hardcore, musica velocissima, cruda, con testi di protesta e un'attitudine riottosa e senza compromessi, dall'altro c'era una scena comunemente definita post-punk o new wave. Definizioni quasi generiche che indicavano l'evoluzione dai tre accordi di base verso suoni inediti e sperimentali: alle chitarre si aggiungevano sempre più comunemente tastiere, sintetizzatori, fiati, archi, che aggiungevano arrangiamenti complessi e inediti. Tutta Italia fu interessata da quest'onda inedita, la cui particolarità era proprio quella di non avere confini ben definiti, un tratto che favoriva quindi i musicisti e gli artisti più coraggiosi. Prendendo spunto dal suono fresco ed entusiasmante di Joy Division, Pop Grop, PiL, Bauhaus e Human League, centinaia di band uscirono orgogliosamente dalle sale prova, formando una scena nazionale ricca di talento. Troppo facile ricordare solamente Diaframma, Litfiba, Denovo, Pankow, Jo Squillo Eletrix e Gaznevada, dietro a cui si muovevano nomi meno conosciuti, ma altrettanto interessanti e degni di (ri)scoperta. "Shock antistatico" racconta cosa è successo in quel quinquennio - o poco più - che ha lasciato in eredità band e dischi indimenticabili, puntualmente collezionati (e ristampati) ancora oggi. Decine di storie che vanno a comporre un quadro d'insieme, con interviste inedite a molti dei protagonisti e discografia selezionata.</text>
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                <text>Punk, rock e politica in Italia e in Gran Bretagna (1977-1984)</text>
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                <text>Negli anni Ottanta il punk era una forma d’arte, un simbolo globale di ribellione, una cultura musicale e giovanile: un fenomeno culturale complesso, che ha avuto importanti implicazioni politiche, tanto da diventare un nuovo circuito dell’attivismo giovanile e dell’impegno dopo il declino della “stagione dei movimenti”.&#13;
&#13;
Fondato su un ampio ventaglio di fonti, il libro analizza origini e sviluppi del punk e lo colloca nelle sue reti transnazionali di produzione e mobilitazione: quell’esperienza diventa un osservatorio capace di restituire in modo originale le più ampie trasformazioni culturali e politiche del tempo, con particolare attenzione al caso dell’Italia e della Gran Bretagna.&#13;
&#13;
Siamo nati da soli vuole in questo modo contribuire al rinnovamento delle cornici interpretative degli anni Ottanta, mettendo in discussione il senso comune sul decennio come “tempo del riflusso”, di “fine” della politica, di “trionfo” del privato e di “scomparsa” dei giovani.</text>
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