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                <text>Questo libro raccoglie cinque saggi sulle culture giovanili scritti negli ultimi trent'anni. Dalle «tribù urbane» nella Spagna degli anni Ottanta alle «bande transnazionali» degli anni Duemilaventi, passando per i chavos banda nel Messico e le «bande latine» a Barcellona, il testo fornisce indizi teorici, percorsi metodologici ed esperienze etnografiche per ripensare le culture giovanili contemporanee. In un momento in cui i membri delle bande, soprattutto se giovani e migranti, emergono come il capro espiatorio di molti problemi politici e sociali, lo sguardo antropologico ci permette di leggere questo fenomeno senza pregiudizi e con empatia, favorendo politiche più inclusive in grado di rendere i protagonisti del problema parte della soluzione.</text>
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                <text>C’è stato un momento, nella storia recente del nostro Paese, in cui Bologna, oltreché grassa e rossa, fu anche «Bologna la punk». Dopo il Settantasette, la repressione e la ﬁne del Movimento, le parole d’ordine del punk controculturale – anarchismo, paciﬁsmo, autogestione – contestate a volte all’interno stesso della scena – diedero vita inaspettatamente a un piccolo (ma non così piccolo) movimento integralista, doverosamente velleitario, sotterraneo e intelligente proprio nel cuore della città – così si diceva – più libera e meglio governata del mondo. L’esperienza è durata, e per certi versi dura ancora, ﬁno ai giorni nostri. Ma i germi di quella inattesa e radicale ribellione vanno cercati tra la ﬁne dei ’70 e l’inizio degli anni ’80, il periodo «zeppo di cose, prese di posizione, scazzi, tradimenti eccetera» di cui Riccardo Pedrini è stato testimone e protagonista.</text>
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                <text>Il Cenacolo di Ares</text>
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                <text>«Non c’era mai poeticume nelle sue opere; era sempre duro, ma duro come lo può essere un bambino. Vedeva tutte le cose come le si vedono per la prima volta. Il suo tratto nel disegno era stravagante, un caos rigorosissimo. I suoi testi provenivano dal parlato; era un grande poeta, un linguista vero perché i suoi testi erano frutto di un genio letterario innato».&#13;
Roberto Benigni&#13;
&#13;
«Andrea Pazienza è riuscito a rappresentare, in vita, e ora anche in morte, il destino, le astrazioni, la follia, la genialità, la miseria. a disperazione di una generazione che solo sbrigativamente, solo sommariamente, chiameremo quella del ’77 bolognese».&#13;
Pier Vittorio Tondelli&#13;
&#13;
Dal Pazienza fumettaro (presente con tre delle storie lunghe piú belle, compresa La prima delle tre del ciclo Zanardi) a quello delle fulminanti storie di una pagina, degli indimenticabili ritratti. Con una scelta organica di scritti (celebre, e introvabile, quello sul fumetto), poesie e racconti inediti compresi. Per capire come mai si è tanto prolungata nel tempo l’eco di quella generazione che nelle storie di Zanardi si rispecchiava, e «che non ha mai realmente creduto in niente, se non nella propria dannazione».</text>
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                <text>2023</text>
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                <text>Mollica, Vincenzo</text>
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                <text>Benni, Stefano</text>
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                <text>741.5945 PAZ PAZ</text>
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                <text>INV. 439</text>
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                <text>People are Strange</text>
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                <text>1989</text>
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            <name>Identifier</name>
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                <text>PER 781.6605 PEO 1989?  </text>
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              <elementText elementTextId="6144">
                <text>INV. 380 </text>
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