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                <text>Il rock vive a Sassari, negli anni ’80, una delle sue stagioni più intense: sulla spinta di nuovi gruppi emergenti e su iniziativa dei primi manager, il fenomeno esce dalla dimensione underground e si accredita nelle strutture cittadine più prestigiose, come il Teatro Verdi e il Teatro Civico, attirando l’attenzione dei media e di un pubblico sempre più vasto. Partendo da questo primo nucleo, il movimento rock cittadino raggiunge, dalla metà del decennio fino alla sua conclusione, una dimensione regionale e crea i presupposti per esportare alcuni progetti anche sulla Penisola. Per la prima volta questo tema viene condensato in un’unica opera, avvalendosi di materiali di archivio e foto d’epoca. Il racconto, in parte autobiografico, unito alle testimonianze di alcuni dei protagonisti musicali di quegli anni, offre una vista dettagliata non solo sul movimento musicale locale degli eighties e sui suoi attori principali (musicisti, organizzatori, tecnici e case discografiche), ma anche sugli scorci di vita cittadina e giovanile di quel periodo, </text>
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                <text>Una pluridecennale carriera alle spalle e il grande merito di aver fondato la new wave italiana agli inizi degli anni Ottanta. Questa è la biografia artistica di Federico Fiumani, il leader dei Diaframma, che qui dà voce alla sua anima inquieta raccontando avventure inconfessabili, sbugiardando i potenti sacerdoti del marketing discografico e ripercorrendo una vita vissuta inseguendo il sogno e la necessità di esprimere se stesso oltre le convenzioni dell'industria culturale. Uno spaccato di verità dedicato al "dietro le quinte" del mondo della musica raccontato con lo stile inconfondibile di Federico Fiumani.</text>
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                <text>INV. 206</text>
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                <text>Nella musica italiana qualcosa sta cambiando. È emersa una nuova scena, povera di mezzi e ricca di determinazione, refrattaria alle categorie e seguita da un pubblico trasversale. I musicisti che vi partecipano hanno attraversato il decennio senza tirare il fiato: intorno a loro crollavano palazzi e simboli, si aprivano crepacci in cui precipitavano certezze acquisite. Hanno visto sciogliersi lavoro e mercati, innalzarsi la soglia della povertà insieme al riscaldamento globale. Attaccato jack agli amplificatori mentre il cosiddetto primo mondo dichiarava una guerra dopo l'altra, suonato a tutto volume senza riuscire a sovrastare i focolai di risate televisive. Guidato per ore in furgone, attraversando la penisola alla faccia di presunte secessioni. E se anche l'Italia sta per crollare, questi artisti non si sono risparmiati. Non hanno aspettato tempi migliori per evitare di sporcarsi le mani. Non si sono trasferiti all'estero. Hanno continuato, con ogni forza residua, a suonare il paese prima che cada.</text>
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                <text>Scarabelli, Andrea (a cura di)</text>
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                <text>Brace, Davide</text>
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                <text>&lt;strong&gt;&lt;span&gt;Il primo numero di Jacobin Italia: le lotte, la produzione e la riproduzione nel paese senza sinistra e i dieci anni dalla grande crisi. I nostri appunti sul futuro cominciano da una presa d’atto, cruda e persino banale nella sua spietatezza incontestabile. Il paese che ha dato vita al partito comunista più grande d’Occidente e che è stato un laboratorio per i movimenti sociali e il pensiero critico è diventato un paese senza sinistra. &lt;/span&gt;&lt;br /&gt;SOMMARIO&lt;br /&gt;&lt;/strong&gt;&lt;em&gt;Avvenne Domani&lt;/em&gt; (Redazione Jacobin Italia) &lt;em&gt;Rivoluzioni Passive&lt;/em&gt; (Giuliano Santoro)&lt;br /&gt;&lt;em&gt;La crisi dei trenta anni&lt;/em&gt; (Marta Fana, Giacomo Gabbuti)&lt;br /&gt;&lt;em&gt;Il debito italiano non è un’anomalia&lt;/em&gt; (Marco Bertorello, Danilo Corradi)&lt;br /&gt;&lt;em&gt;Alla ricerca dei conflitti inaspettati&lt;/em&gt;&lt;br /&gt;(Salvatore Cannavò, Lorenzo Zamponi)&lt;br /&gt;&lt;em&gt;Un esempio da non imitare&lt;/em&gt; (David Broder)&lt;br /&gt;&lt;em&gt;Si scrive popolo, si legge nazione&lt;/em&gt; (Francesco Strazzari)&lt;br /&gt;&lt;em&gt;Qualcosa di nuovo sul fronte occidentale&lt;/em&gt; (Giulio Calella, Bhaskar Sunkara)&lt;br /&gt;&lt;em&gt;Perche il giacobino nero?&lt;/em&gt; (Remeike Forbes)&lt;br /&gt;&lt;em&gt;Napoleone era nero&lt;/em&gt; (Wu Ming 1)&lt;br /&gt;&lt;em&gt;Lavoro alla cinese, salari alla polacca&lt;/em&gt; (Francesca CoinPiero Maestri)&lt;br /&gt;&lt;em&gt;Una scuola buona per grigi contabili&lt;/em&gt; (Girolamo De Michele)&lt;br /&gt;&lt;em&gt;Parole contese&lt;/em&gt;&lt;br /&gt;Beni comuni (Gaia Benzi)&lt;br /&gt;Biologico (Wolf Bukowski)&lt;br /&gt;Cambiamento (Giulio Calella)&lt;br /&gt;Democrazia diretta (Giuliano Santoro)&lt;br /&gt;Mutualismo (Salvatore Cannavò)&lt;br /&gt;Precarietà (Lorenzo Zamponi)&lt;br /&gt;Reddito (Gaia Benzi)&lt;br /&gt;Violenza sulle donne (Marie Moïse)&lt;br /&gt;&lt;em&gt;Senza Sinistra&lt;/em&gt; (Alessandro Robecchi) &lt;br /&gt;&lt;em&gt;Non è un paese per fare figli&lt;/em&gt; (Giacomo Gabbuti, Lorenzo Paglione) &lt;br /&gt;&lt;em&gt;La cura come business&lt;/em&gt; (Sara R. Farris, Sabrina Marchetti)&lt;br /&gt;&lt;em&gt;Faccia da turco&lt;/em&gt; (Alberto Prunetti)&lt;br /&gt;&lt;em&gt;Le nuove emigrazioni italiane&lt;/em&gt; (Simone Fana, Francesco Massimo) &lt;br /&gt;&lt;strong&gt;Breaking bank: 10 anni di crisi (da Jacobin USA)&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;Tra Mercedes e magioni&lt;/em&gt; (Meagan Day)&lt;br /&gt;&lt;em&gt;Governare con la moneta&lt;/em&gt; (Ronald Janssen)&lt;br /&gt;&lt;em&gt;La crisi finanziaria e le serie televisive paranormali&lt;/em&gt; (Eileen Jones) &lt;br /&gt;&lt;em&gt;Il millennio Minsky&lt;/em&gt; (Mike Beggs)</text>
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                <text>&lt;strong&gt;SOMMARIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Se ci fermiamo&lt;/em&gt; (Redazione Jacobin Italia)&lt;br /&gt;&lt;em&gt;Ritorno al futuro&lt;/em&gt; (Francesco Massimo, Lorenzo Zamponi) &lt;br /&gt;&lt;em&gt;E ai tuoi figli chi ci pensa?&lt;/em&gt; (Sara R. Farris, Marie Moïse)&lt;br /&gt;&lt;em&gt;E l’8 marzo spagnolo bloccò il paese&lt;/em&gt; (Inés Campillo Poza)&lt;br /&gt;&lt;em&gt;Un femminismo per il 99%&lt;/em&gt; (Cinzia Arruzza, Tithi Bhattacharya, Nancy Fraser)&lt;br /&gt;&lt;em&gt;Fuori dai cancelli&lt;/em&gt; (David Broder, Giacomo Gabbuti)&lt;br /&gt;&lt;em&gt;Le periferie del lavoro in sciopero&lt;/em&gt; (Marta Fana, Simone Fana)&lt;br /&gt;&lt;em&gt;Se nulla può accadere tutto è possibile&lt;/em&gt; (Marco Marrone)&lt;br /&gt;&lt;strong&gt;Scioperi di tutto il mondo&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Sciopero Sociale&lt;/em&gt; (Valerio Renzi)&lt;br /&gt;&lt;em&gt;Sciopero dell’alternanza&lt;/em&gt; (Giulia Biazzo)&lt;br /&gt;&lt;em&gt;Sciopero bianco&lt;/em&gt; (Gaia Benzi)&lt;br /&gt;&lt;em&gt;Sciopero del consumo&lt;/em&gt; (Gianluca Carmosino)&lt;br /&gt;&lt;em&gt;Sciopero alla rovescia&lt;/em&gt; (Giulio Calella Libertà)&lt;br /&gt;&lt;em&gt;Uguaglianza Intersezionalità&lt;/em&gt; (Francesca Coin, Kimberlé Crenshaw)&lt;br /&gt;&lt;em&gt;Questo è il mio sciopero&lt;/em&gt; (Wissal Houbabi)&lt;br /&gt;&lt;em&gt;Lo sciopero è delle donne cioè per tutti&lt;/em&gt; (Assia Petricelli)&lt;br /&gt;&lt;em&gt;Il momento #MeToo&lt;/em&gt; (Selene Pascarella)&lt;br /&gt;&lt;em&gt;C’è del disagio&lt;/em&gt; (Simona Baldanzi)&lt;br /&gt;Sulle tracce della parola sciopero (Gaia Benzi)&lt;br /&gt;Riot or Strike? (Kim Moody)&lt;br /&gt;&lt;strong&gt;Verso le primarie: what Bernie should do (da Jacobin USA)&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;I socialisti al Congresso&lt;/em&gt; (Eric Blanc)&lt;br /&gt;&lt;em&gt;Il socialista e la liberale&lt;/em&gt; (Shawn Gude)&lt;br /&gt;&lt;em&gt;Nel grembo della vecchia società&lt;/em&gt; (David Broder )&lt;br /&gt;&lt;em&gt;Con ogni mezzo necessario&lt;/em&gt; (Meagan Day)</text>
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                <text>INV. 209/2</text>
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                <text>&lt;strong&gt;SOMMARIO&lt;/strong&gt;&lt;br /&gt;&lt;em&gt;Goodbye democracy&lt;/em&gt; (Redazione Jacobin Italia) &lt;br /&gt;&lt;em&gt;Separati alla nascita&lt;/em&gt; (Luca Addante) &lt;br /&gt;&lt;em&gt;Nel lungo periodo Keynes è morto?&lt;/em&gt; (Marco Bertorello, Danilo Corradi) &lt;br /&gt;&lt;em&gt;Il bivio dell’Europa è un vicolo cieco&lt;/em&gt; (Giuseppe Montalbano) &lt;br /&gt;&lt;em&gt;Democrazia contro capitalismo&lt;/em&gt; (Marta Fana) &lt;br /&gt;&lt;em&gt;Ti sfrutto senza distinzioni&lt;/em&gt; (Emiliano Brancaccio, Marta Fana) &lt;br /&gt;&lt;em&gt;Democrazia sovranista e sciovinismo del benessere&lt;/em&gt; (Donatella Di Cesare) &lt;br /&gt;&lt;em&gt;L’élite è peggio del popolo&lt;/em&gt; (Giacomo Gabbuti)&lt;br /&gt;&lt;em&gt;Esercizi di una politica del(la) comune&lt;/em&gt; (Salvatore Cannavò) &lt;br /&gt;&lt;em&gt;Non c’è democrazia senza partecipazione&lt;/em&gt; (David Broder) &lt;br /&gt;&lt;em&gt;La democrazia economica tra crisi e ristrutturazioni&lt;/em&gt; (Simone Fana) &lt;br /&gt;&lt;strong&gt;I sette peccati capitali&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;Il presidente è uno showman&lt;/em&gt; (Girolamo De Michele)&lt;br /&gt;&lt;em&gt;Se le masse si rassegnano&lt;/em&gt; (Silvia Costantino) &lt;br /&gt;&lt;em&gt;Le città migranti&lt;/em&gt; (Elisa Albanesi) &lt;br /&gt;&lt;em&gt;Il potere meritocratico&lt;/em&gt; (Davide Villani) &lt;br /&gt;&lt;em&gt;Regimi di verità&lt;/em&gt; (Giuliano Santoro) &lt;br /&gt;&lt;em&gt;Le atrocità psicopolitiche&lt;/em&gt; (Luca Pisapia) &lt;br /&gt;&lt;em&gt;L’apocalisse climatica&lt;/em&gt; (Valerio Renzi) &lt;br /&gt;&lt;em&gt;Storia politica dell’invidia&lt;/em&gt; (Giuliano Santoro)&lt;br /&gt;&lt;em&gt;La via cinese al capitalismo&lt;/em&gt; (Simone Pieranni)&lt;br /&gt;&lt;em&gt;Governare col razzismo&lt;/em&gt; (Miguel Mellino) &lt;br /&gt;&lt;em&gt;Il collante del genere&lt;/em&gt; (Myra Marx Ferree)&lt;br /&gt;&lt;em&gt;Se lo sfruttamento diventa familiare&lt;/em&gt; (Sara Garbagnoli) &lt;br /&gt;&lt;em&gt;Algoritmo e mezzi di predizione&lt;/em&gt; (Marco De Seriis, Giuliano Santoro) &lt;br /&gt;&lt;strong&gt;La democrazia delle utopie reali&lt;/strong&gt; &lt;br /&gt;&lt;em&gt;Autogestione produttiva&lt;/em&gt; (Giulio Calella) &lt;em&gt;Confederalismo democratico&lt;/em&gt; (Giulio Calella)&lt;br /&gt;&lt;em&gt;Neomunicipalismo&lt;/em&gt; (Gaia Benzi) &lt;br /&gt;&lt;em&gt;Democrazia e beni comuni&lt;/em&gt; (Rocco Alessio Albanese)&lt;br /&gt;&lt;em&gt;Pianificazione democratica&lt;/em&gt; (Lorenzo Zamponi)&lt;br /&gt;&lt;strong&gt;La casa. Il sogno middle class si è fatto incubo&lt;/strong&gt; (da Jacobin USA) &lt;br /&gt;&lt;em&gt;La trappola della proprietà&lt;/em&gt; (David Dayen) &lt;br /&gt;&lt;em&gt;I padroni a casa nostra&lt;/em&gt; (Laurie Macfarlane) &lt;br /&gt;&lt;em&gt;Kreuzberg Against the Machine&lt;/em&gt; (Loren Balhorn) &lt;br /&gt;&lt;em&gt;La stampa ci specula&lt;/em&gt; (Dawn Foster) &lt;br /&gt;&lt;em&gt;Un tetto per diritto&lt;/em&gt; (Redazione Jacobin Magazine)</text>
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                <text>INV. 209/3</text>
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