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                <text>garage, punk</text>
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                <text>1. Deep Eyes 04:00 &lt;br /&gt;2. Goin' For A Ride 03:31 &lt;br /&gt;3. Down She Goes 04:16 &lt;br /&gt;4. Dirty Time 02:35 &lt;br /&gt;5. Love Beat 02:47 &lt;br /&gt;6. Primitive 03:17 &lt;br /&gt;7. Don't Give Up 02:26 &lt;br /&gt;8. Rubbish Land 03:15 &lt;br /&gt;9. Red Line 00:50</text>
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                <text>Not Moving LTD</text>
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                <text>NBM CD ITA NOT LOV</text>
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                <text>INV. 348</text>
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                <text>Lumi di punk. La scena italiana raccontata dai protagonisti </text>
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                <text>musica punk - Italia</text>
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                <text>G. 464</text>
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                <text>La nascita del punk in Italia si è intrecciata allo straordinario movimento della sinistra extraparlamentare. Da questo incontro, quasi inesistente altrove, esplode un’originale esperienza che utilizza gli spazi occupati dalla precedente generazione per organizzare concerti autogestiti e strutturare un’innovativa e radicale proposta politico-esistenziale. Lungo tutta la penisola decine e decine di gruppi punk formano un circuito perfettamente funzionante che crea le basi di un preciso stile di vita anticonformista e riottoso, destinato a influenzare in profondità anche il presente. In Lumi di punk prendono parola trenta protagonisti di quella scena. La prima tappa di una ricognizione sui sussulti che hanno dato origine all’ultimo periodo in cui l’Italia non è stata provincia. Un’intervista a Don Letts, amico di Johnny Rotten, a cura di Enzo Mansueto, due fumetti tratti da “Torazine”, alcune tavole del Professor Bad Trip, una discografia curata da Mox Cristadoro e un ampio apparato iconografico completano il volume.</text>
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                <text>Philopat, Marco</text>
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                <text>Cristadoro, Mox</text>
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                <text>ISBN: 9788895029856</text>
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                <text>Various artists</text>
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                <text>Lato A&#13;
Fatma,  Attraversare Il Mare&#13;
Teatro Quotidiano, Hey&#13;
Lato B	&#13;
Detriti, Possessione&#13;
D.N.E., La Fabbrica</text>
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                <text>Luna nera</text>
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                <text>VIN, 45 rpm</text>
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                <text>Gi-kill! Autoproduzione,  M.A.D. Productions, NKTN Rehorz, Anomalie Sonore, 83 Records, Tifiamo Rivolta Co-produzioni, Kult Idea, Scaglie Di Rumore, Pasidaryk Pats Records, VelenA, Tuscia Clan, Eskaramuza Distri, Passione Nera Records, Impeto Records, Cess'Attuppatu Records, Fallen Crow Records, Torpedos Roma, Ganamala Autoproduzioni, Rauha Turva</text>
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                <text>NBM VIN45 ITA MNS KRU</text>
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                <text>INV. 240</text>
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                <text>Italia</text>
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                <text>Mauro dei Crc Posse a Rock X Gramsci - Odio gli indifferenti</text>
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                <text>musica, concerti</text>
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                <text>Mauro Mou dei Crc Posse sul palco di Rock X Gramsci nel 1993</text>
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                <text>Associazione culturale Casa natale Antonio Gramsci Ales ODV</text>
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                <text>INV. 86</text>
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                <text>Il blues del Mediterraneo è rap, elettronica, raï, rebetiko e trap, ed è la colonna sonora nelle metropoli del sud del mondo, dal Cairo a Nairobi passando per Napoli, in cui non esiste distinzione tra musiche autentiche e musiche importate. I suoni non rispettano i confini nazionali e portano con sé le tracce del colonialismo europeo, perché quella storia fa parte delle lingue e nei ritmi di oggi. L'obiettivo di questo libro piccolo saggio dedicato ai suoni è di mostrare una narrazione diversa, in cui il sud del mondo si rivela parte fondamentale della cosiddetta modernità fin dal suo inizio, e non elemento estraneo e sempre in ritardo, sempre indietro, rispetto al nord. Nei versi di Mahmood, nella chitarra elettrica dei Tinariwen, nel successo di Umm Kalthum e nelle ricerche sulla voce di Demetrio Stratos, è nascosto un invito a capire che non solo la musica, ma anche concetti come la cittadinanza e la democrazia viaggiano, vengono tradotti e trasformati. I suoni registrano questi percorsi e ci fanno ascoltare altre storie.</text>
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                <text>Chambers, Iain</text>
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