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                <text>“La carrellata che queste pagine si propongono ci torna utile per scoprire quali fermenti, quali intuizioni e quali sviluppi abbiano attraversato la scena musicale sarda nell’arco grosso modo dell’ultimo mezzo secolo o poco meno. Ci torna utile per scoprire la specificità  della Sardegna anche nell’ambito della produzione musicale che, specie sul fronte di quella di tradizione popolare, è sempre stata contrassegnata da una ricca documentazione rispetto al resto d’Italia.&#13;
Il poderoso lavoro svolto è encomiabile; ha il pregio di fissare nomi e titoli di un censimento direi già  esaustivo, aggiornatissimo al punto da arrivare ai giorni nostri.” Giacomo Serreli</text>
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                <text>Musica, libri, cinema, arte, poesia, moda, cronaca: il mondo oscuro dei dark non è solo abiti neri e un volto pallido ma si compone di suggestioni infinite e influenze diverse. Tutto è partito dalla musica, con le prime band che negli anni settanta hanno iniziato a esplorare suoni cupi e testi intimisti e malinconici, ma il movimento dark si è presto rivelato un modo di sentire ben radicato e senza tempo più che un semplice genere musicale. L'Italia non è rimasta indifferente alla tenebrosa onda nera che ha investito l'Europa e non solo. Da Roma a Milano passando per Torino, Napoli e Firenze il dark dilaga coinvolgendo gruppi musicali, discoteche, centri sociali, fanzine e negozi. Anche le periferie e i piccoli centri accolgono la novità affrontando polemiche e pregiudizi. Questo libro cerca di ricostruire la storia del movimento, conosciuto nel mondo anglosassone come goth, arrivato fino ai nostri giorni arricchito e trasformato in continuazione, attraverso i progetti musicali più interessanti, le influenze letterarie, artistiche e cinematografiche, la cronaca e il costume, i tanti volti di un look che si tinge di molti colori oltre al nero.</text>
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                <text>La *vendetta delle punk : una storia della musica femminista da Poly Styrene alle Pussy Riot</text>
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                <text>Ne La vendetta delle punk l’autrice analizza quattro temi fondamentali: identità, denaro, amore e protesta – attraverso i quali approfondisce le ragioni per le quali il punk rappresenta per le donne una forma artistica così liberatoria. La prospettiva di Vivien Goldman sul giornalismo musicale è completa, potendo vantare anche una grande esperienza di addetta ai lavori e avendo contribuito in prima persona alla nascita del post-punk. Con il suo inconfondibile stile viscerale, Goldman mescola interviste e narrazione storica alle sue esperienze personali: essendo stata una delle prime donne giornaliste rock inglesi, si può considerare il libro alla stregua di un vivace documentario su un genere musicale che per definizione demolisce gli steccati. Goldman analizza una canzone di Patti Smith come Free Money, per esempio, rievocando lo shopping a Notting Hill insieme alla cantante americana. Grazie alla testimonianza diretta della figlia della defunta Poly Styrene, scopriamo le motivazioni che nel 1978 hanno spinto la madre, di discendenza somala e scozzese-irlandese, a scrivere un inno del punk come Identity, caratterizzato da un ritornello che dice: “Identity is the crisis, can’t you see?” Nel suo libro, Goldman ci parla di musiciste originarie di luoghi lontani ma anche di eclettiche rivoluzionarie come Grace Jones, un’artista che pur non essendo esattamente punk ha senz’altro influenzato il movimento assorbendone l’audacia liberatoria. Questo libro è un tour musicale che partendo dalle origini europee del punk allarga il suo campo d’azione fino a raggiungere una vasta dimensione internazionale. Il tutto arricchito da accurate e ricche playlist. Traduzione di Fabio Zucchella Cura e Prefazione di Paola De Angelis&#13;
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                <text>Tolosa, 26 aprile 1988. Travestiti da gendarmi, un'improbabile squadra di rapinatori - punk, anarchici e tossicodipendenti - svaligiano il deposito della banca Brink's. Il bottino è impressionante: 11,7 milioni di franchi, senza sparare un colpo. La maggior parte dei malviventi sarà arrestata e condannata, tranne Gilles Bertin, cantante dei Camera Silens, gruppo faro della scena punk-rock francese dei primi anni Ottanta. Spagna, Portogallo: la sua latitanza durerà trent'anni. Sarà poi lui a consegnarsi alla giustizia, dopo aver vissuto una delle vite più rocambolesche che abbiano attraversato l'Europa. Incrociando la storia collettiva internazionale dagli anni Settanta al primo decennio del Duemila, Gilles Bertin nella sua autobiografia racconta con schietta ironia, inframmezzata da inattesi momenti di delicatezza, una vicenda umana che farebbe impallidire gli sceneggiatori de La casa di carta. Tra le altre cose, anche un ritratto lucido e impietoso di almeno quarant'anni di Storia.</text>
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                <text>Il free jazz è sempre stata una musica scomoda. Quando Coltrane trasformò My Favorite Things - una canzone da musical di Broadway - in un urlo di trenta minuti che lacerava ossessivamente le strutture della struttura musicale convenzionale, o quando Albert Ayler ribaltò Summertime di Gershwin alla ricerca di qualcosa di più profondo e con una risonanza emotiva più oscura, la risposta generale fu l'indignazione. A differenza dei molti critici che espressero il loro disgusto e quasi con risentimento, Val Wilmer capì da subito che quei musicisti non erano apostati o eretici, ma gli straordinari innovatori di una importante, nuova fase della black music. La musica, importante quanto la tua stessa vita è una frase emblematica di McCoy Tyner, che ben rappresenta lo spirito che anima questo libro, il primo e approfondito resoconto che sia mai stato scritto sulla rivoluzione musicale passata alla storia come free jazz. E di quella straordinaria stagione l'Autrice racconta le aspirazioni politiche, umane e musicali, aggregando con sapienza i materiali emersi nelle sue lunghissime interviste con tutti i protagonisti. Finalmente in lingua italiana il classico sul free jazz degli anni Sessanta e Settanta della grandissima fotografa e storica del jazz Val Wilmer. Questa è l'avventura della generazione di rivoluzionari che è riuscita a fare della propria arte la vera avanguardia della cultura americana. John Coltrane, Ornette Coleman, Albert Ayler, McCoy Tyner, Sun Ra e molti altri nel loro vero contesto politico, sociale ed esistenziale. Un'epoca di straordinaria innovazione e sperimentazione che continua a ispirare anche i musicisti di oggi.</text>
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                <text> INV. 442</text>
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                <text>01. Abbronzatissima 00:38 &lt;br /&gt;02. Bandiera Gialla &lt;br /&gt;03. Con te sulla spiaggia &lt;br /&gt;04. Datemi un martello &lt;br /&gt;05. E la luna bussò &lt;br /&gt;06. Fin che la barca va 0&lt;br /&gt;07. Guarda come dondolo &lt;br /&gt;08. Ho capito che ti amo 0&lt;br /&gt;09. Io ho in mente te &lt;br /&gt;10. L'esercito del surf &lt;br /&gt;11. Maracaibo &lt;br /&gt;12. Nessuno mi può giudicare</text>
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                <text>Autoproduzione; Atomic soup records</text>
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