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                <text>A1		Appoggiato Ad Un Palo&#13;
A2		Pozzanghera&#13;
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                <text>Vinile, 7", EP, 33 ⅓ RPM</text>
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                <text>Tracce&lt;br /&gt;Lato A: Catene Wounded knee Raptus Anime di cera Lato B: On the road Miraggio Tutto quello che ho Ombre scure Ho bisogno di... Aria</text>
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                <text>musicassetta</text>
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                <text>NBM TAPE SAR PAG LIB </text>
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                <text>Locandina “Rock X Gramsci” IX edizione</text>
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                <text>Individualismo e collettivismo</text>
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                <text>Associazione casa natale Antonio Gramsci Ales</text>
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                <text>Un gusto superiore</text>
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                <text>Perché “un gusto superiore”? Un po’ in omaggio all’omonimo album mistico inciso da Claudio Rocchi e Paolo Tofani all’inizio degli anni ‘80, ma soprattutto per raccontare la controversa figura del cantautore italiano in un modo inconsueto. Non il predicatore da quattro accordi, ma un pioniere capace di rivoluzionare e sprovincializzare la nostra canzone d’autore in modo decisivo. Anche il progressive rock di cui si parla in questo libro non è fatto di virtuosismi e trovate, ma di ambizioni artistiche e del gusto per lo scardinamento delle forme. Lontani dai luoghi comuni che spesso li riguardano, progressive e cantautorato vivono qui una lunga vicenda comune, che va dagli anni delle prime contestazioni alle sperimentazioni del nuovo millennio. Dal beat al bit. Come in tutte le narrazioni corali anche in questa il lettore troverà protagonisti e personaggi minori, ma indimenticabili, di cui si menzionano le rare notizie, con l’augurio che la musica possa parlare da sé. Oltre alle interviste contenute nella sezione dedicata, c’è spazio per alcuni commenti sui propri dischi da parte di artisti come Francesco Bianconi, Colapesce, Alessandro Fiori, Andrea Laszlo De Simone. Le parole del direttore artistico Carlo Pastore sul MIAMI Festival contribuiscono poi a saldare passato e presente, preparando la strada al futuro. Mentre su tutto Claudio Rocchi continua da lassù il suo “volo magico”.</text>
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                <text>Pardo, Piergiorgio</text>
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                <text>«Non c’era mai poeticume nelle sue opere; era sempre duro, ma duro come lo può essere un bambino. Vedeva tutte le cose come le si vedono per la prima volta. Il suo tratto nel disegno era stravagante, un caos rigorosissimo. I suoi testi provenivano dal parlato; era un grande poeta, un linguista vero perché i suoi testi erano frutto di un genio letterario innato».&#13;
Roberto Benigni&#13;
&#13;
«Andrea Pazienza è riuscito a rappresentare, in vita, e ora anche in morte, il destino, le astrazioni, la follia, la genialità, la miseria. a disperazione di una generazione che solo sbrigativamente, solo sommariamente, chiameremo quella del ’77 bolognese».&#13;
Pier Vittorio Tondelli&#13;
&#13;
Dal Pazienza fumettaro (presente con tre delle storie lunghe piú belle, compresa La prima delle tre del ciclo Zanardi) a quello delle fulminanti storie di una pagina, degli indimenticabili ritratti. Con una scelta organica di scritti (celebre, e introvabile, quello sul fumetto), poesie e racconti inediti compresi. Per capire come mai si è tanto prolungata nel tempo l’eco di quella generazione che nelle storie di Zanardi si rispecchiava, e «che non ha mai realmente creduto in niente, se non nella propria dannazione».</text>
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                <text>INV. 439</text>
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                <text>Controcultura, musica</text>
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                <text>Skinhead è lo stile nella strada, quando la ribellione dello stile è rivolta! Gli skins sono tra i maggiori protagonisti nelle sottoculture giovanili a cavallo tra gli anni '60 del Novecento e i giorni nostri.</text>
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                <text>Marchi, Valerio</text>
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                <text>306.1 PED SKi </text>
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                <text>INV. 390</text>
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                <text>Ordigni (nuova edizione)</text>
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                <text>Storia del punk a Bologna</text>
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                <text>C’è stato un momento, nella storia recente del nostro Paese, in cui Bologna, oltreché grassa e rossa, fu anche «Bologna la punk». Dopo il Settantasette, la repressione e la ﬁne del Movimento, le parole d’ordine del punk controculturale – anarchismo, paciﬁsmo, autogestione – contestate a volte all’interno stesso della scena – diedero vita inaspettatamente a un piccolo (ma non così piccolo) movimento integralista, doverosamente velleitario, sotterraneo e intelligente proprio nel cuore della città – così si diceva – più libera e meglio governata del mondo. L’esperienza è durata, e per certi versi dura ancora, ﬁno ai giorni nostri. Ma i germi di quella inattesa e radicale ribellione vanno cercati tra la ﬁne dei ’70 e l’inizio degli anni ’80, il periodo «zeppo di cose, prese di posizione, scazzi, tradimenti eccetera» di cui Riccardo Pedrini è stato testimone e protagonista.</text>
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                <text>Hellnation Libri, Redstar Press</text>
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                <text>781.6609 PED ORD</text>
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                <text>INV. 414</text>
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                <text>01 Se &lt;br /&gt;02 Dalla Parte Sbagliata Del Mondo &lt;br /&gt;03 Il Vangelo Dell'Odio &lt;br /&gt;04 Le Parole Fanno Male &lt;br /&gt;05 Vox Populi &lt;br /&gt;06 Giochi Sporchi &lt;br /&gt;07 Mal D'Africa &lt;br /&gt;08 Ripriendiamoci La Musica &lt;br /&gt;09 Tutto Bene &lt;br /&gt;10 Questione Di Giorni &lt;br /&gt;11 Nuovi Schiavi</text>
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                <text>Peggio Emilia</text>
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                <text>Peggio Records, Lanterna Pirata, Klas Production, Lamette Records, Scratch Recordings, Focacceria "La Vesuviana" Varazze&#13;
Formato:	&#13;
CD, Album</text>
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                <text>NBM CD ITA PEG ANT</text>
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                <text>INV. 233</text>
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                <text>Italia</text>
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                    <text>INV: 38</text>
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                <text>Locandina "Rock X Gramsci” XI edizione</text>
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                <text>Il privilegio dell'ignoranza</text>
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                <text>Pes, Marcello</text>
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                <text>Associazione Casa Natale Antonio Gramsci</text>
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                <text>INV: 38</text>
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