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                <text>Il mutamento delle subculture</text>
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                <text>Dai teddy boy alla scena trap</text>
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                <text>Dai teddy boy del Secondo dopoguerra ai punk della fine degli anni ’70, passando per rocker e modder, le sottoculture giovanili hanno affascinato generazioni di ragazzi e intimorito generazioni di adulti, quasi mai in grado di comprenderle e analizzarle fino in fondo. Questo fino alla loro scomparsa, complice la progressiva espansione della cultura hip-hop, partita dalla New York degli anni ’70 e culminata col fenomeno trap. Parlare di “sottocultura” trap, infatti, appare semanticamente errato: di sotterraneo e nascosto c’è poco o nulla, gli artisti trap svettano nelle classifiche globali e il tardo-capitalismo fagocita tutto ciò che può essere reso vendibile. Francesco Caroli prova ad analizzare il fenomeno con un approccio sociologico, cercando di indagarne le significazioni per i giovani e studiandone gli aspetti dissacranti rispetto ai valori della società tradizionale, con l’obiettivo di categorizzare il genere musicale secondo le nuove forme di aggregazione sociale.</text>
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                <text>306.1 CAR MUT</text>
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                <text>INV. 401</text>
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                <text>Il nostro desiderio è senza nome</text>
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                <text>Il nostro desiderio è senza nome è il primo dei volumi che minimum fax dedica agli scritti di Mark Fisher apparsi sul suo leggendario blog k-punk e su diversi giornali e riviste. In questo volume sono raccolti gli scritti politici, tra cui anche «Comunismo acido», la fulminante e incompiuta introduzione a quello che avrebbe dovuto essere il suo nuovo progetto. Senza lacrimosa nostalgia Fisher guarda agli anni Settanta del secolo scorso per parlare agli anni Dieci: il disappunto nei confronti della «nuova» sinistra che, sempre più impantanata nelle logiche neoliberiste, ha ormai tragicamente interiorizzato il principio tatcheriano per cui «non c’è alternativa» al capitalismo; il nuovo assetto del mondo del lavoro, sempre più atomizzato, pervasivo e precario, che ha privato i lavoratori del tempo e delle prospettive; la piaga dilagante della malattia mentale; il progressivo smantellamento del welfare; la Brexit; la minaccia del terrorismo.  &#13;
In un fosco panorama cybergotico e postapocalittico, Fisher non concede nulla alla rassegnazione, e anzi cerca instancabilmente una via d’uscita da quel «realismo capitalista» che rende impossibile anche solo sognare una condizione migliore: una rivolta contro la mancanza di alternative economiche, sociali ed esistenziali che sembra il segno più forte del nostro presente. Si tratta di rifiutare l’atteggiamento depressivo a cui le logiche di mercato ci hanno educati, e «valutare in modo responsabile e pragmatico le risorse a nostra disposizione qui e ora, e riflettere su come utilizzarle al meglio e incrementarle. Di muovere – magari lentamente, ma con assoluta determinazione – da dove ci troviamo oggi a un luogo molto diverso».</text>
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                <text>Reynolds, Simon</text>
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                <text>330.122 FIS NOS</text>
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                <text>INV. 392</text>
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                <text>Il soggetto e la differenza</text>
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                <text>Per un’archeologia degli studi culturali e postcoloniali</text>
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                <text> 306 HAL SOG</text>
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                <text> INV. 412</text>
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                <text>Stuart Hall è una delle figure chiave della teoria culturale britannica ed europea degli ultimi anni. I suoi studi e interventi costituiscono ormai un punto di riferimento essenziale in diversi campi della teoria critica: dagli studi culturali ai Migration Studies, dai Race ai Media Studies, dagli studi postcoloniali ai Black British Cultural Studies. Questa raccolta propone per la prima volta in Italia i suoi saggi più noti e dibattuti, offrendo una panoramica esauriente sia dei suoi molteplici interessi sia dell’evoluzione del suo pensiero negli ultimi 25 anni.&#13;
Questi saggi ci restituiscono l’immagine di uno sguardo davvero originale e transdisciplinare, attento alle dinamiche delle soggettività e delle differenze, ma anche di un intellettuale impegnato nella riflessione e nel dibattito pubblico su alcuni dei temi cruciali dello scenario economico, politico e culturale contemporaneo: la cultura e la comunicazione di massa, l’etnicità e il razzismo, le migrazioni, il multiculturalismo, le nuove identità black, il thatcherismo, il neoliberismo e il postfordismo, la globalizzazione, il postcolonialismo.</text>
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                <text>Il sogno del Gorilla bianco</text>
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                <text>&lt;ol&gt;&lt;li&gt;Rasoio, mattatoio, pazzatoio&lt;/li&gt;
&lt;li&gt;La festa è a Buenos Aires&lt;/li&gt;
&lt;li&gt;Country Boy&lt;/li&gt;
&lt;li&gt;La mia foto&lt;/li&gt;
&lt;li&gt;Preghiera&lt;/li&gt;
&lt;li&gt;Povero me&lt;/li&gt;
&lt;li&gt;Signorina Primavolta&lt;/li&gt;
&lt;li&gt;Questo è il mondo&lt;/li&gt;
&lt;li&gt;Una ragazza&lt;/li&gt;
&lt;li&gt;Bella Italia&lt;/li&gt;
&lt;li&gt;Piccolo borghese&lt;/li&gt;
&lt;li&gt;Voglio&lt;/li&gt;
&lt;li&gt;Due mondi&lt;/li&gt;
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                <text>Tre allegri ragazzi morti</text>
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                <text>INV. 198</text>
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                <text>1. Neu/Rotica &lt;br /&gt;2. Gene Razione Zero &lt;br /&gt;3. Spleen (la bestia) &lt;br /&gt;4. Veleno &lt;br /&gt;5. Libera Mente &lt;br /&gt;6. Credo &lt;br /&gt;7. Deserto &lt;br /&gt;8. A domanda rispondo &lt;br /&gt;9. Ziqqurat &lt;br /&gt;10. Sai/Gon</text>
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                <text>NBM CD SAR DOR VEL</text>
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                <text>NBM VIN45 ITA STA INF</text>
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                <text>A1 Shaolin Subbuteo &lt;br /&gt;A2 Frontiere &lt;br /&gt;A3 Hipster Barbeque &lt;br /&gt;A4 Limpido &lt;br /&gt;A5 Gulliver &lt;br /&gt;A6 Schermi &lt;br /&gt;A7 Fotitura &lt;br /&gt;B1 Asfissia Violenta &lt;br /&gt;B2 Cazzo Di Budda &lt;br /&gt;B3 Appendino &lt;br /&gt;B4 Aiuta la tua scena: Sparisci! &lt;br /&gt;B5 Esopo &lt;br /&gt;B6 C.O.P.S.</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>¡ZAS! Autoproduzioni, Sa Manta Records, Fast'n'Loud Records, Calimocho Autoproduzioni, Tifiamo Rivolta Co-produzioni, Tuscia Clan, Tadca Records, Ganamala Autoproduzioni, Arvira, Disadattack zine, Pasidaryk Pats Records</text>
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                <text>Vinile, 12", 45 RPM, Album</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>NBM VIN33 ITA IMD INM</text>
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              <elementText elementTextId="3092">
                <text>INV. 247   </text>
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          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Italia</text>
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                <text>In sa Terra mia</text>
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            <description>The topic of the resource</description>
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            <description>An account of the resource</description>
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                <text>&lt;p&gt;Tracce&lt;/p&gt;
&lt;p&gt;01. Sa Presentada (3:54) 02. Ma Che Colpa Abbiamo Noi (3:47) 03. In Sa Terra Mia (feat. Enzo Saporito) (4:59) 04. Pulima (feat. Assalti Frontali) (4:02) 05. Arrèxini (2:45) 06. Marzo 2010 (feat. V. Biolchini E E. Arthemalle) (1:01) 07. Dammi Una Mano (3:55) 08. S.A.R.D. (3:52) 09. Signor Giuseppe (4:55) 10. Apu Biu (In Su Palcu) (Remix)&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Dr. Drer &amp; Crc Posse</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Autoproduzione</text>
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            <name>Date</name>
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                <text>2010</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Audio CD</text>
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            <description>A language of the resource</description>
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                <text>it, srd</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>INV: 17</text>
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              <elementText elementTextId="1701">
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Inflammable material</text>
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                <text>Supplemento a Stampa Alternativa</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Punkzine n. 2 Ottobre 1993</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="1528">
                <text>Luca Frazzi e altri</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="1529">
                <text>1993-10</text>
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            <description>A language of the resource</description>
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                <text>it</text>
              </elementText>
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            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="1531">
                <text>Rock-Zine</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="2159">
                <text>X</text>
              </elementText>
              <elementText elementTextId="2160">
                <text>INV. 126 DIG</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Inkarakua</text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="3161">
                <text>01 Nessuna Via Di Scampo &lt;br /&gt;02 Solo Il Principio &lt;br /&gt;03 Ruggine &lt;br /&gt;04 Senza Un Perche &lt;br /&gt;05 Guardo Fuori &lt;br /&gt;06 Sangre &lt;br /&gt;07 Cieco Davanti All'oblio &lt;br /&gt;08 H8</text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="3162">
                <text>Inkarakua</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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              <elementText elementTextId="3163">
                <text>Ukdivision Records</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="3164">
                <text>2006</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="3165">
                <text>CD</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="3166">
                <text>NBM CD SAR INK INK </text>
              </elementText>
              <elementText elementTextId="3167">
                <text>INV. 255</text>
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