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                <text>From the ink of our skin</text>
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                <text>Tracce&lt;br /&gt;01. Letter for me (intro) 02. Slight chatter at the same bar 03. Give me a future to swallow 04. Highwayman’s time 05. The bones in Elly’s painting 06. “Poberesa nobilesa” 07. Put the blame on you 08. The unity of Italy is an abortion 09. More than a pact 10. Jesus covered his eyes</text>
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                <text>La ricostruzione della storia degli studi sulla cultura popolare, a partire dalla seconda metà dell’Ottocento. La nozione di “cultura popolare” ha avuto grande fortuna nell’Italia della seconda metà delNovecento, negli studi storici e antropologici ma anche nel più ampio dibattito culturale. Dopo una lunga fase di interessi folklorici di taglio positivistico, e dopo una accentuata fascistizzazione del folklore durante il ventennio, il tema della cultura popolare riemerge nel secondo dopoguerra con la diffusione degli scritti di Gramsci. Tra anni Settanta e Ottanta la categoria di cultura popolare si trova al centro degli studi antropologici italiani, così come di settori consistenti della storiografia (in particolare i filoni della storia orale e della microstoria) e della sociologia.</text>
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                <text>Nel 1977 il punk infiamma anche l'Italia, passando per gli schermi televisivi che rimandavano le creste colorate dei giovani londinesi, ma arrivando nelle città di provincia e nelle metropoli con un'attitudine sincera e innovativa. In questo libro si racconta di quegli inizi e, soprattutto, delle prime band che avviarono un percorso politico, dove la musica era il pretesto per un movimento creativo e antagonista che non ha mai smesso di covare sotto la cenere. Dalle origini rappresentate dai Gaznevada e dai Kaos Rock, fino allo svilupparsi di un movimento autonomo, con le sue molteplici declinazioni: anarco-punk, hardcore, oi!, nichilisti, straight edge in un'elencazione puntuale: dai 001001110110001010110 agli Zipp, dagli 8780 agli Youngblood.</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Diego Noza</text>
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                <text>157 p., ill. , Brossura</text>
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                <text>INV. 134</text>
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                <text>Tracce&lt;br /&gt;01. Nazis 02. Autogestione 03. Untori 04. Un lager di bestie 05. Siamo tutti prigionieri 06. A.P.G. 07. Coinvolti 08. Come dio comanda 09. Gabbie 10. Spero venga la guerra (Wretched) 11. Raping the earth (ExtremeNoise Terror)</text>
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                <text>NBM CD SAR DIS COM </text>
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                <text>Orosei, Siniscola</text>
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                <text>Tracce&lt;br /&gt;01. Mimetica 02. Sbarre 03. United States of petrol 04. Non siamo come voi (Peggio Punx) 05. Compravendita 06. Guerriglia Urbana 07. Paradiso 08. Pseudocrazia 09. Europa Unita (Scum of society) 10. Impermeabilizzati 11. Società dell’apparenza 12. Toys</text>
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                <text>Attivi dal 1977 al 1984, i Crass furono un collettivo politico e musicale che s'impegnò a fondo per trasmettere un ideale consapevole ed egualitario. Sono considerati i fondatori della scena anarcopunk e i principali promotori delle pratiche del Do It Yourself. Il loro originale concetto di azione diretta comprendeva, oltre ai concerti in cui mischiavano arti visive e incitamenti anarchici, anche attività di coordinamento di comunità post-hippy e spazi occupati, la redazione di riviste underground e una casa discografica. I Crass hanno sovvertito la cultura dominante, infliggendo un segno sulla vetrina patinata della società dello spettacolo, con un messaggio radicale che ancora oggi può servire da detonatore per migliaia di giovani potenziali attivisti del dissenso. "Crass Bomb" è un libro antologico con i migliori saggi, i racconti e le grafiche del gruppo libertario che all'epoca rappresentò una vera bomba a orologeria pronta a scoppiare contro gli squali del business che speculano sulla ribellione giovanile. Completa il volume una dichiarazione scritta nel 2009 da Penny Rimbaud, ex batterista della band, e alcune traduzioni emotive di loro brani musicali firmate da ex punk e traduttori professionisti che per primi hanno amato i Crass.</text>
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                <text>INV. 212</text>
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                <text>1. Neu/Rotica &lt;br /&gt;2. Gene Razione Zero &lt;br /&gt;3. Spleen (la bestia) &lt;br /&gt;4. Veleno &lt;br /&gt;5. Libera Mente &lt;br /&gt;6. Credo &lt;br /&gt;7. Deserto &lt;br /&gt;8. A domanda rispondo &lt;br /&gt;9. Ziqqurat &lt;br /&gt;10. Sai/Gon</text>
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                <text>INV. 360</text>
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