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                <text>In sa Terra mia</text>
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&lt;p&gt;01. Sa Presentada (3:54) 02. Ma Che Colpa Abbiamo Noi (3:47) 03. In Sa Terra Mia (feat. Enzo Saporito) (4:59) 04. Pulima (feat. Assalti Frontali) (4:02) 05. Arrèxini (2:45) 06. Marzo 2010 (feat. V. Biolchini E E. Arthemalle) (1:01) 07. Dammi Una Mano (3:55) 08. S.A.R.D. (3:52) 09. Signor Giuseppe (4:55) 10. Apu Biu (In Su Palcu) (Remix)&lt;/p&gt;</text>
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&lt;p&gt;01. Cosa bella frisca (03:03) 02. Boga sa manu (04:13) 03. E la chiamano democrazia (03:41) 04. Voyage en Sardaigne (01:46) 05. Arruolamentu (03:58) 06. In mesu de su mari (mutetu) (01:47) 07. In mesu de su mari Mediterràniu (02:54) 08. S'arriu (04:25) 09. Su sardu alfabetu (03:58) 10. El Tano (04:28) 11. Viaggio sempre (04:36)&lt;/p&gt;</text>
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                <text>&lt;p&gt;Tracce&lt;/p&gt;
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&lt;p&gt;01. Late Ripeness 02. Non Tornerò 03. Ricordi Di Periferia 04. La Tua Storia 05. Il Giardino Dell'Ossigeno 06. Il Libro Nero 07. Andata Per Davvero 08. E' Adesso (When I'm Gone) 09. Quante Belle Canzoni 10. Tempo Inutile 11. La Stanza Vecchia&lt;/p&gt;</text>
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                <text>Sono molti e diversi i protagonisti che si muovono tra le pagine di "La ragione delle mani". Alcuni sono immaginari, altri reali; alcuni sono personaggi celebri, altri noti agli addetti ai lavori, altri ancora sconosciuti, persone comuni che si possono incrociare nella vita di tutti i giorni. C'è Achille Santini, il geniale promoter di musica jazz, alle prese con Miles Davis e con una paternità inaspettata; c'è una ex maestra di Bologna protagonista di un film documentario sulla musica del pianista Glenn Gould; c'è la follia di un musicista rock italiano, ma anche l'elegante compostezza di Frank Sinatra. E poi Fausto Rossi (l'ex Faust'O), una coppia di vecchi discografici, un algido compositore terrorizzato dalla propria allergia alla vita e infine un videoartista che affronta un estimatore contorto. Clementi racconta innanzitutto dei volti e delle vite. Ne cerca i moventi nascosti, i segni, esplora fallimenti e successi, sempre attento a svelare le conseguenze meno scontate della dialettica tra palco e dietro le quinte, tra luci della ribalta e quotidiano. L'esito sono ritratti, e più spesso dialoghi, caratterizzati da un'intimità che rivela invece di nascondere, mettendo a fuoco paure, ossessioni e slanci.</text>
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                <text>Soggetto a copyright</text>
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                <text>L’origine. Le città e i centri nevralgici. Le band. La politica, l’autogestione, i posti occupati. L’autoproduzione e le etichette indipendenti. Le fanzine. I raduni, le contestazioni, i concerti. Le forze dell’ordine e i tamarri. La violenza, le droghe, gli eccessi nichilisti. Il rapporto conflittuale tra punk e stampa. L’apice: dall’Europa all’America. Il declino: la fine delle grandi band italiane. 140 protagonisti della prima ondata hardcore punk italiana si raccontano. 500 pagine dirette, velocissime, distorte, sudate. Oltre 100 band. Tantissime immagini inedite, fotografie, manifesti, volantini, copertine e articoli di giornali dell’epoca. Otto anni di interviste per tutta Italia, migliaia di chilometri percorsi e sedici anni per finire DRITTI CONTRO UN MURO.</text>
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                <text>Schegge di rumore. Storie di hardcore italiano negli anni '90</text>
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                <text>Gli anni che proiettano il punk hardcore italiano nel nuovo millennio sono attraversati da una rinnovata spinta propulsiva: la scena si muove con le proprie gambe, continuando a diffondersi anche nelle province più remote dello Stivale. Le difficoltà vengono affrontate con la forza del do it yourself e la consapevolezza di far parte di una grande famiglia allargata a portata - ancora non virtualmente - di mano. Schegge di rumore raccoglie le preziose testimonianze di alcuni protagonisti della realtà accacì degli anni Novanta: è un atlante dei ricordi e delle sensazioni, intriso del sudore, della passione e degli ideali di un decennio mai raccontato prima. Un libro rivolto non solo ai "reduci" ma anche a coloro che vogliono conoscere, senza perdersi in nozionismi enciclopedici, i motivi e le scelte di un movimento vivo e coinvolgente, tra musica, attitudine, speranze e legami indissolubili. Fotografato in una delle sue fasi più palpitanti.</text>
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                <text>Shock antistatico. Il post-punk italiano 1979-1985</text>
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                <text>C'è stato un momento, all'inizio degli anni Ottanta, in cui l'Italia musicale si è trovata magicamente in sintonia con quanto stava avvenendo nel resto del mondo. Da un lato l'estremizzazione del punk rock originario stava producendo la mutazione hardcore, musica velocissima, cruda, con testi di protesta e un'attitudine riottosa e senza compromessi, dall'altro c'era una scena comunemente definita post-punk o new wave. Definizioni quasi generiche che indicavano l'evoluzione dai tre accordi di base verso suoni inediti e sperimentali: alle chitarre si aggiungevano sempre più comunemente tastiere, sintetizzatori, fiati, archi, che aggiungevano arrangiamenti complessi e inediti. Tutta Italia fu interessata da quest'onda inedita, la cui particolarità era proprio quella di non avere confini ben definiti, un tratto che favoriva quindi i musicisti e gli artisti più coraggiosi. Prendendo spunto dal suono fresco ed entusiasmante di Joy Division, Pop Grop, PiL, Bauhaus e Human League, centinaia di band uscirono orgogliosamente dalle sale prova, formando una scena nazionale ricca di talento. Troppo facile ricordare solamente Diaframma, Litfiba, Denovo, Pankow, Jo Squillo Eletrix e Gaznevada, dietro a cui si muovevano nomi meno conosciuti, ma altrettanto interessanti e degni di (ri)scoperta. "Shock antistatico" racconta cosa è successo in quel quinquennio - o poco più - che ha lasciato in eredità band e dischi indimenticabili, puntualmente collezionati (e ristampati) ancora oggi. Decine di storie che vanno a comporre un quadro d'insieme, con interviste inedite a molti dei protagonisti e discografia selezionata.</text>
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